Motivation is a key issue that affects writers. Many of us get ideas and set about crafting them into a work in progress.
I’ll sheepishly put my hand up and admit that whilst I brainstorm and loosely knit my ideas together before a project, I am not a diligent planner. Instead of creating pages and pages of neat plans and diagrams and character profiles, I definitely get straight to mucking in. I like to think of my process as a plate of spaghetti and meatballs- it’s somewhat messy- but I like it that way because I have a lot of strands and meat to draw from at all different angles when I’m writing instead of sticking to a storyline plan.
It’s all great when momentum builds but as most writers will know, it’s inevitable that at times, our motivation levels come to a standstill. I wanted to share with you about how I recently remedied this with one of my works of fiction.
My protagonist was invited to an event at a bar (for the umpteenth time in the story) and I was wondering how I could muster up the enthusiasm to create yet another bar scene. Especially when my protagonist was hesitant about going in the first place. I didn’t blame her, I, the writer was sick of her going to the bar and the prospect actually made me lose my motivation to write for several days, so I put my project down.
Then a solution popped up in my head, a very simple no-brainer that I would encourage all writers to employ. I ditched the bar scene entirely! Consequently, I felt an instant weight off my shoulders. Sometimes certain scenes are very necessary, however when we plan to execute them in unoriginal or unimaginative ways it can make us feel demotivated to write them. If this is the case, DITCH the scene- but allude to it instead like I did- you can do this in a number of ways. I call this pre-emptive editing and it helps you to get over the demotivation hurdle.
3 Editing Tips to Motivate you
Create an inner monologue with the character reflecting on or thinking back to the scene. Here you can add as much or little detail as you like depending on what works to drive the storyline forward.
Enrol characters in conversation about said scene and have fun with what details they offer up about it. You can insert humour, tension, excitement- whatever emotions are relevant.
If you are writing in the third person, employ an omniscient voice to fill in the gaps about what happened. This could take up just one paragraph instead of a whole scene (you know, the one you were dreading writing in the first place?)
This works best using the past perfect form of the verb, for example:
Evan had spent the best part of an hour strolling around the palladium before he spotted Lina canoodling with another man. She had been leaning against him, one open palm resting on his shoulder as they watched the sunset.
So in effect, you cut out the scene that you were dreading writing in real time and find a way to allude to it authentically, instead.
For those of you who are stuck in a rut with a particular scene, I hope that this inspires you to adjust it in a way that motivates you to write.
Non-fiction writers- have you ever taken a U-turn when writing a piece? How did you go about doing this and were you happy with the end results?
Let me know in the comments below!